Artists Biographies
Our Artist's Biographies
MICHAEL BEGAY
A Diné performer/educator/composer of Chamber Music, Experimental Sound, Native American Flute, and Metal music, Michael Begay is a guitarist and bassist, but also plays piano, and various instruments both Native American and orchestral.
A graduate of the Grand Canyon Music Festival’s Native American Composer’s Apprentice Project (NACAP), Mr. Begay has studied under both Native and nonnative American Composers: Brent Michael Davids (Mohican), David Mallamud, Jerod Impichchaachaaha’ Tate (Chickasaw), Libby Larson, Raven Chacon (Diné), and Oscar Bettison.
Originally based on the Navajo Nation in Northern Arizona, Michael moved to Baltimore, Maryland, after being accepted to The Johns Hopkins Peabody Institute of Music, to further his studies in music composition. Michael Begay has studied music composition in the studio of Oscar Bettison at Peabody and is currently working on various compositions ranging from Chamber Music, Film, Electronic Ensemble, Solo and Orchestral works.
Recent activities include: Co-Composer and Music Director for Documentary, “Navajo Police – Class 57” due for release on HBO MAX; Composer for the documentary, “Look For Me” soon to be released at Sundance Film Festival; Experimental Improvisation album released, “Dark Red Skies” Michael Begay/Thollem McDonnas; 2023 Fall Concertia HTX Houston Texas, Sound installation; 2023 Fall Premiere of new commissioned work for Chatter in Albuquerque, NM.
He was a Native Arts and Cultures Foundation 2021 Shift Award recipient, alongside Raven Chacon. He has been a NACAP composer-in-residence since 2006.
STEPHEN BENSON
MARK BERMAN
Pianist, composer, producer, conductor, music director and arranger, Mark Berman has performed with Aretha Franklin, Blood Sweat & Tears, Carole King, Gladys Knight, Hugh Jackman, Illinois Jacquet, Ben E King, Jackie McLean, Cornelius Bumpus, Buster Poindexter, Clark Terry, Leslie Gore, Richie Havens, Helen Reddy, Jennifer Holliday, Phil Ramone, Chita
Rivera, Phoebe Snow, and Eartha Kitt.
Mark Berman’s piano and keyboard playing can be heard on the theme of the HBO series Sex and the City. Berman has written additional music for the program and can be seen on an episode. He has also written music for Bravo, the Food Network, Nurse Jackie, the Showtime series and a variety of network daytime series.
Berman has also appeared on television in The Today Show, Good Morning America, The Rosie O’Donnell Show, as well as Sex and the City (he was also the player and keyboard coach behind Nathan Lane’s appearance on the show).
On Broadway, he conducted Rent, Smokey Joe’s Cafe, and Blood Brothers and played lead piano in the orchestras of The Boy From Oz, Hairspray, Dreamgirls, Jesus Christ Superstar, 42nd Street, Spider-Man: Turn Off the Dark, and others including the Public Theater of New York’s production of Hair in Central Park and its Broadway revival. He has also written additional music, a classical pas-de-deux, for Fame the Musical.
He has performed in jazz clubs around the world including The Blue Note, Rainbow Room, Birdland, The Cutting Room, B.B. King’s, the Supper Club and Top of the Rock at Rockefeller Center. Berman has appeared at Weil Hall at Carnegie Hall, at Merkin Hall at Lincoln Center, and can be heard on numerous recordings.
ROBERT BONFIGLIO
Harmonica, is founding director of the Grand Canyon Music Festival. Called “the Paganini of the Harmonica” by the Los Angeles Times, he has shown the world what power there is in this little instrument, what possibilities there are for an almost infinite range of expressivity from only about four octaves. Robert holds a masters degree in composition from the Manhattan School of Music, (because there wasn’t a harmonica faculty!). He studied harmonica with noted harmonica virtuoso Cham-ber Huang, and honed his technique through coaching with flutist Andy Lolya. Traveling the world with harmonica in hand, Robert is among a small group of musicians who have raised its status as a serious concert instrument. He has soloed with over 200 Orchestras including the Minnesota Orchestra, Pittsburgh Symphony, Orchestre de la Suisse Romande, Leipzig MDR-Radio Symphony at the Leipzig Gewandhaus, Boston Pops, with John Williams on PBS, the Hollywood Bowl Orchestra, the National Symphony at the Kennedy Center in Washington, D.C., New York Pops, Hong Kong Philharmonic, and the Buenos Aires Philharmonic at Teatro Colon, to name only a few. Having studied composition with Charles Wuorinen and, as the first recipient of the Mihaud Scholarship at the Aspen Music School, Aaron Copeland, it comes as no surprise that he is an avid supporter and promoter of contemporary music, starting with the World Premiere of the Henry Cowell Harmonica Concerto with Lucas Foss conducting. He premiered the Radamés Gnattali Harmonica Concerto in Brazil with Miguel Campos Neto conducting and “Concerto Armonico” with Atlanta Ballet and Tara Simoncic conducting. Outside of the concert hall, he has raised the consciousness of the harmonica among the general public through appearances on many shows such as the CBS Morning Show, CBS Sunday Morning, Larry King and Garrison Keillor. He has recorded on such labels as RCA, Arista, CBS, Sine Qua Non, High Harmony, QVC and Naxos. Robert, along with his wife, flutist Clare Hoffman, founded the Grand Canyon Music Festival. Now in its 41st season, it not only brings top performers to Grand Canyon National Park but also engages in outreach programs to schools in rural areas with the Native America Composer Apprentice Project which has won the National Arts and Humanities Youth Program Award.
RAVEN CHACON
Winner of the 2022 Pulitzer Prize for Music, Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. His work is featured in the Whitney Museum’s 2022 Biennial “Quiet as it’s Kept.” As a solo artist, collaborator, or with Postcommodity, Chacon has exhibited or performed at Whitney Biennial, document 14, REDCAT, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project (NACAP). He is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, and the American Academy’s Berlin Prize for Music Composition. He lives in Albuquerque, NM.
BENGISU GOKCE
Turkish born and raised Bengisu Gokce is a multi-genre violinist and singer, known for combining her Turkish roots with Eastern-European and Middle-Eastern traditions. As a professionally renowned performer, Gokce’s versatile playing has led her to share the stage with several music icons including Mark O’Connor, Tigran Hamasyan, Aynur Doğan, Shreya Ghoshal, Toninho Horta, Shankar Mahadevan, Simon Shaheen, Amal Murkus, and Pablo Ziegler. Throughout her career she has performed in various distinguished venues such as Carnegie Hall, Lincoln Center, Boston Symphony Hall, American Repertory Theater, MFA Boston, Roulette Intermedium, Shapeshifter Lab, Ithra Theatre (Saudi Arabia) and Monte Carlo Salle Garnier (Monaco). She has also been featured in albums and recording projects with Indian tabla virtuoso Zakir Hussain, sitar virtuoso Purbayan Chatterjee, drummer Antonio Sánchez (Pat Metheny Group), clarinetist Ismail Lumanovski (NY Gypsy All Stars), and many more.
Gokce was one of the featured artists in the Berklee Indian Ensemble’s debut album, “Shuruaat” which was nominated for the Best Global Music Album at the 65th Annual Grammy Awards. As an educator, Gokce is the violin instructor, orchestra director, and the administrative director at the Center For Arabic Culture (CAC) and the violin instructor at the Veronica Robles Cultural Center (VROCC). A multi-award winner, Gokce is a classically trained violinist and a performance alumna of Mersin University State Conservatory in Turkey, Hanns Eisler School of Music in Berlin, Germany, and Berklee College of Music in Boston, MA. She is currently an assistant professor at Berklee College of Music.
CLARE HOFFMAN
Flute. Co-founder and artistic director of the Grand Canyon Music Festival, Clare Hoffman has toured the United States, Europe and Asia, performing in a variety of settings from major concert halls to an ancient ampitheatre on the Greek island of Rhodes. Recent engagements include the Berkshire Bach Society (Tanglewood), Bang on a Can Festival (Lincoln Center), Cutting Edge (New York City, Victoria Bond, director), Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra (Lincoln Center’s Great Performers series), Scandia Symphony, and Bronx Arts Ensemble. She has premiered works by John Corigliano, Seymour Barab, Brent Michael Davids, Arnold Black and Richard Einhorn and recorded for television, film, and RCA and High Harmony Records. Under her guidance, the Grand Canyon Music Festival has been presenting critically acclaimed musicians and outreach education programs to schools in northern Arizona’s rural areas, primarily schools and communities on the Hopi and Navajo Nations, for 41 years, and received funding and recognition from diverse organizations, including the National Endowment for the Arts, Chamber Music America, WESTAF, and The Nina Mason Pulliam, Flinn, Compton, ASCAP, and APS Foundations. She is a dedicated advocate for the arts and has worked throughout the United States with students from diverse backgrounds, from inner-city schools in places like Los Angeles and New York City to farming communities in Iowa and Native American communities in Arizona. Her education projects for the Grand Canyon Music Festival include an arts curriculum for fifth graders that integrates music and visual arts with core subjects, developed with Arts Vision and Bank Street College of Education, and the Native American Composer Apprentice Project (NACAP) with composers-in-residence Raven Chacon and Trevor Reed, which was recognized by First Lady Michelle Obama and the President’s Committee on the Arts and Humanities with a National Arts and Humanities Youth Program Award. She is currently on the faculty of Concordia Conservatory in Westchester, New York. She studied at the Mannes College of Music with Andrew Lolya, at L’École d’Été in France with legendary French flutists Jean-Pierre Rampal and Alain Marion, and with Samuel Baron and Julius Baker.
GRANT HOUSTON
Violinist Grant Houston connects with listeners through performances of unbridled energy and emotional magnetism. Known for drawing in audiences with a uniquely compelling musical voice, he has been described as playing “as ethereally as mist… the audience kept so quiet that it seemed we were holding our breath throughout.” (Yale Alumni Magazine). Particularly devoted to chamber music, recent appearances have included the notable festivals of Ravinia’s Steans Music Institute, Yale University’s Norfolk Chamber Music Festival, the Perlman Music Program, Yellow Barn Young Artists Program, The Moritzburg Festival Academy and the Music Academy of the West. In addition to his career with Trio Gaia, Grant appears frequently with the conductor-less ensembles Orpheus Chamber Orchestra, A Far Cry, and Palaver Strings, and most recently as a guest principal with the Saint Paul Chamber Orchestra. A keen proponent of contemporary music, Grant has worked with numerous composers to premiere works that span the breadth of the genre. Recent projects have included a recital focusing on solo violin works of living composers Ellen Taaffe Zwilich and Salvatore Sciarrino, an appearance on the Boston Symphony Orchestra’s “What I Hear” chamber music series curated by composer Bernard Rands, and multiple performances as part of [nec]Shivaree, the avant-garde ensemble of New England Conservatory. He counts Donald Weilerstein, Ayano Ninomiya, Vivian Hornik Weilerstein, and Merry Peckham among his primary mentors. Additional coaches include Itzhak Perlman, Midori, Hilary Hahn, Rachel Barton Pine, Martin Beaver, Inon Barnatan, and Stefan Jackiw, as well as chamber music guidance from members of the Brentano, Cleveland, Cavani, Juilliard, St. Lawrence, Prazak, Mendelssohn, and Miami string quartets. He performs on a 1757 Michel’angelo Bergonzi violin on loan from a private foundation.
NICHOLAS JOHNSON
Nicholas Johnson (he/they) is a cellist and organizer that strives to create meaningful art at local levels with collaborations which cross genres. A recipient of the 2023 St. Botolph Club Foundation’s Emerging Artist Award, he performs and records in the New England area as a soloist, chamber partner, and orchestral player with groups including Semiosis Quartet, Sound Icon, Boston Modern Orchestra Project, and Odyssey Opera. In the 2022-2023 season Nick returned to their native state of Florida to join the Space Coast Symphony Orchestra as Guest Principal. Nick received their Bachelor of Music from University of South Florida studying with Scott Kluksdahl, as well as Master of Music and Graduate Performance Diploma from Boston Conservatory at Berklee with Andrew Mark. While at Boston Conservatory he was a member of the Honors Chamber Ensemble, was awarded first prize in the 2019 MA-ASTA String Masters Solo Competition performing Henri Dutilleux’s “Trois Strophes sur le nom de Sacher,” was a Concerto Competition winner performing Chen Yi’s “Suite for Cello and Chamber Winds,” and he studied and performed with members of the Silk Road Ensemble. He has since performed at Symphony Hall, the Institute of Contemporary Art, Tsai Performance Center, Jordan Hall, Boston’s Museum of Fine Arts, Mechanics Hall, and Carnegie Hall.
JAY JULIO
Originally from Uniondale, New York, 26-year old first-generation Filipino-American Jay Julio (they/them) is a multi-instrumentalist, teacher, and composer-arranger based in NYC. Jay is the Assistant Principal Violist of the Opera Philadelphia Orchestra, substitute violist with the Chamber Orchestra of Philadelphia, the Kennedy Center Opera Orchestra, the Dallas, Memphis, Charleston, and Virginia Symphonies, and has been invited to play with the New York Pops, the American Composers Orchestra, the Metropolis Ensemble, and PROTESTRA. Recent appearances include solo turns with the Ocala Symphony, the Marquette Symphony, and the Brooklyn Youth Chorus, and chamber music performances on the TIME SPANS Festival with the Talea Ensemble, the Broadway Advocacy Coalition‘s Arts in Action Festival, and on tour with Norman Menzales’ Sampaguita Filipino Flute Project.
They have shared the stage with Broadway singers, pop stars, and classical music’s hottest young talents in performances from Washington D.C. to the Philippines, and can be heard on violin and viola on Captured Tracks, Fiendish Endeavor, and Broadway Records. They appeared in the official collaborative music video for Major Lazer & Marcus Mumford’s single, Lay Your Head On Me, released as a fundraiser for COVID-19 research efforts, performed with Nigerian artist Burna Boy in his Hollywood Bowl debut, and have played behind Audra McDonald on Carnegie Hall’s Great Artists series.
Jay has performed the Music Academy of the West, Orpheus@Mannes, the New York String Orchestra Seminar and the Cabrillo, Aspen, Pacific, Thy, Spoleto and Lake Tahoe music festivals; they have also spent summers at the Yellow Barn Young Artists Program and the National Symphony Orchestra’s Summer Music Institute as a Young Artist of Color. They have served as a Teaching Fellow at the Juilliard School’s Music Advancement Program and as substitute viola & chamber music faculty at the Manhattan School of Music Precollege Division. They have coached the Inner City Youth Orchestra of Los Angeles, have been on faculty at the Stony Brook University Chamber Strings Camp, and hold teaching positions at the Interlochen Center for the Arts Viola Intensive and Midori and Friends.
A prizewinner in national competitions held by the National Federation of Music Clubs and the Music Teachers National Association and recipient of a 2019 Juilliard Career Grant, Jay is indebted to the Virtu Foundation and the American Viola Society for their past support through instrument and bow loans. They were recipient of a 2020 Music Academy of the West Fast Pitch Award for their music-meets-prison-analysis organization Sound Off: Music for Bail, which has since been awarded a 2021 Juilliard School Career Grant, a 2022 YoungArts Foundation Creative Microgrant, a 2022 Puffin Foundation Grant, a 2023 Surdna Foundation Thriving Cultures Sponsorship, a 2023 New Music USA Organizational Fund Grant, a 2023 Copland Fund Grant, and 2024 Lower Manhattan Cultural Council Manhattan Arts and Upper Manhattan Economic Zone Grants.
After taking their first viola lesson at age 14 at the Mannes Preparatory Division, Jay graduated from the Interlochen Arts Academy at 16 studying with Renee Skerik with their highest musical honor, the Young Artist Award, received their BM in Viola Performance from the Manhattan School of Music under Karen Ritscher on full scholarship, and received their MM at the Juilliard School on a full-tuition Susan W. Rose Fellowship under the tutelage of Heidi Castleman and Misha Amory. Other important mentors include Anne Leilehua Lanzilotti and Lina Bahn. For rhythm, Jay studies poetry.
STEVEN MOECKEL
As concerto soloist, concertmaster, and recitalist, violinist Steven Moeckel has engaged audiences and critics worldwide with his effortless virtuosity, vivid characterization and uncanny ability to capture the very essence of a work. A seasoned performer since childhood, Moeckel first appeared as concerto soloist at the age of 8. Since then, he has continued to solo with orchestras throughout the United States, Europe, and Asia, interrupted only by a two year period as Principal Soprano Soloist of the renowned Vienna Boys Choir.
Moeckel’s concerto repertoire encompasses everything from the standard classical and romantic masterpieces to the visceral virtuosity of the Shostakovich Concerto and Corigliano’s Red Violin. Invited to China under the auspices of the newly formed Ling Tung Foundation, he was the first Western violinist to perform the beloved violin concerto, The Butterfly Lovers, with a Chinese orchestra. His special affinity for the British repertoire has most recently led to performances of the Elgar, Britten, and Walton Concertos.
Steven Moeckel has performed as chamber musician and recitalist with Leon Fleisher and Menachem Pressler at Chicago’s Ravinia Festival and frequently appears in concert with William Wolfram. Notable performances include recitals at the Sewanee Summer Music Festival, the Colorado College Music Festival and the Sunriver Music Festival. With his long time partner pianist Paula Fan, Moeckel has toured Europe and the Americas, and performed the complete cycle of the ten Beethoven Sonatas three times to critical acclaim. Together they have recorded three albums. His most recent album with Indiana University pianist, Joanna Goldstein, celebrates the works of women composers during the time of Suffrage.
As a communicator, Moeckel’s ability to involve audiences in an astounding range of repertoire distinguishes him as a musician of rare versatility. A Laureate of the venerable Sibelius Competition, his performances earned recognition in the Helsinki press for his ability to probe the mind of a composer. At home in myriad styles, with pianist Paula Fan he performed a 12 hour marathon charity concert featuring masterworks of the classical literature interspersed with intermezzi featuring country, tango and jazz.
Steven Moeckel is equally at home speaking about music. Since his first appointment as Co-Concertmaster of Germany’s Ulm Philharmonic at the age of 19, he has been involved in outreach and educational events for orchestras and festivals on both sides of the Atlantic. He has served as a frequent coach for the New World Symphony in Miami and in 2019 was invited to participate in the National Alliance for Audition Support, a group that trains minority classical musicians in audition preparation in conjunction with the Sphinx Organization, the New World Symphony and The league of American Orchestras. He has served as orchestra coach at the Peabody Conservatory in Baltimore, and has appeared as a a guest on the podcast series, ‘Behind the Screen,’ hosted by JT Kane and Matt Corey.
A gradute of both the famous Hochschule Mozarteum in Salzburg and Indiana Univerity in Bloominginton, Steven Moeckel has served as Concertmaster of the Ulm Philharmonic in Germany, the Tuscon Symphony Orchestra, The Phoenix Symphony, and the Santa Fe Opera. He is a board member of a non-profit focused on music awareness called The Wayback Foundation. In 2020 he was awarded a tenured violin professorship at Northern Arizona.
SILVAN NEGRUTIU
Hailed as “a startling and authentic pianist displaying rich imagination and brilliant vigor, whose precision and splendor of keyboard sound certainly inspire a transcendental reality” (The Musical News Journal, Bucharest), Silvan Negruţiu has performed on major international stages, from the Kennedy Center in Washington D.C. to Ireland’s National Concert Hall, the Romanian Athenaeum in Bucharest, the Xi’an Concert Hall in China, the Showa Recital Hall in Tokyo, and the Hong Kong Academy for Performing Arts. He enjoys commissioning new music, having most recently performed and recorded the world premières of Bruce Reiprich’s “When Evening Is Still,” Robert Chumbley’s Five Bagatelles & “Songs of the Siren,” and Zack Stanton’s Concerto for Piano and Wind Ensemble. His latest album, Bagatelles (Centaur Records, 2021), featuring works by Beethoven, Alexander Tcherepnin, Carl Vine, and Robert Chumbley, has garnered rave reviews by Fanfare Magazine and American Record Guide, and his collaboration with Japanese violinist Akemi Takayama on the album Carl Roskott: Works for Violin (Centaur Records, 2018) was recognized with a Silver Medal for Outstanding Achievement by Global Music Awards. He has appeared as soloist with prestigious orchestras, including the Romanian Radio Chamber Orchestra, Alicante Philharmonic, George Enescu Philharmonic, and Dublin Symphony Orchestra. In high demand as a performer, clinician, adjudicator, and speaker, he appears frequently as a conference presenter and an artist-teacher at international music festivals across Europe, America, and Asia. As an artist, a teacher, and a scholar, he embraces the exploration of rare piano literature, innovative pedagogy, and the advancement of arts entrepreneurship in higher education. He is an active promoter of new music and Romanian composers, with a primary focus on George Enescu and Constantin Silvestri. Silvan Negruțiu serves as the Kitt Endowed Professor in Piano and Director of Piano Studies in the Kitt School of Music at Northern Arizona University. Prior to this appointment, he taught at Millikin University, Shenandoah Conservatory, and the Royal Irish Academy of Music.
KARLOS RODRIQUEZ
An advocate for multifaceted musical diversity in the 21st century and a founding member of the GRAMMY award winning Catalyst Quartet, Cuban-American cellist Karlos Rodriguez is an avid soloist, recitalist, chamber musician, clinician, recording artist, writer, and administrator. Rodriguez made his orchestral debut with the New World Symphony at the age of 13 to critical acclaim. Laureate of competitions and prizes including Florida’s State Cello Prize, Sphinx Competition, Irene Muir Performance Prize, and the Bergamo Classic Music Award (Switzerland) Rodriguez has appeared at many of the United States’ major musical venues, including Carnegie Hall, David Geffen Hall, Alice Tully Hall, The Kennedy Center for the Performing Arts, The New World Center, Philadelphia’s Kimmel Center, and Radio City Music Hall, to name a few. Karlos has also appeared as soloist with the Filharmonica de Bogotá, Cincinnati Symphony, New Haven Symphony, San Francisco Chamber Orchestra, Sphinx Virtuosi, and Saint Paul Chamber Orchestra. Rodriguez has had the honor of working with distinguished artists and members the Beaux Arts Trio, American, Cavani, Cleveland, Emerson, Guarneri, Juilliard, Miami, Orion, Tokyo, Takács, and Vermeer String Quartets; Janos Starker, Lynn Harrell, Zuill Bailey, Pieter Wispelway, Cécile McLorin Salvant, J’Nai Bridges, Julia Bullock, Rachel Barton-pine, Awadagin Pratt, Joshua Bell, Anthony McGill, Paul Neubauer, and Steven Isserlis. His teachers have included Richard Aaron, Peter Wiley, and David Soyer. New music is central to Karlos’ work as a performer and has commissioned, premiered, and received grants engaging many of the most important composers of our time. A great interest in dance has led to collaborations with the Thomas/Ortiz Dance Company, Freefall, Mark Morris Dance Group, Vail International Dance Festival, Herman Cornejo, and Chita Rivera. Rodriguez has been a guest artist and artist in residence at the Encore music institute, Chamber Music Northwest, Music in the Vineyards, Metropolitan Museum of Art; the Sarasota, Strings, Sitka, Aspen, Ascent, Grand Canyon, Great Lakes, Kneisel Hall, Lake Champlain music festivals; and Napa’s Festival Del Sole. As an educator, he has served as Director of Artistic Affairs for the Sphinx Performance Academy at the Cleveland Institute of Music, Curtis Institute of Music, Juilliard School, and has given master classes domestically and abroad. Rodriguez has worked on various commercials, films, collaborated with pop artists such as Shakira, John Legend, Pink Martini, contributed to numerous Broadway musicals, and is a member of the Radio City Music Hall Orchestra. Karlos is visiting assistant professor of cello and chamber music at Northern Arizona University in Flagstaff, a board member of the Aronson Cello Festival and former principal cellist of the Florida Grand Opera Orchestra in Miami. Rodriguez is also the editor of Living and Sustaining a Creative Life-Music, published by Intellect Books UK. Rodriguez performs on the ‘ex-Gérard Hekking’ Gustave Bernardel cello made in Paris, 1897 decorated ‘Premier Prix Décerné Par Le Conservatoire National de Musique’ and a ‘Col de Cygne’ Dominique Pecatte bow c. 1840. He is a Pirastro artist and endorses their Perpetual line of strings.
MANHATTAN CHAMBER PLAYERS
MCP was recently praised in Strings Magazine for “A fascinating program concept…It felt refreshingly like an auditory version of a vertical wine tasting.” The article went on to applaud MCP for “an intensely wrought and burnished performance…Overall, I wished I could put them on repeat.” At the core of MCP’s inspiration is its members’ joy in playing this richly varied repertoire with longtime friends and colleagues, with whom they have been performing since they were students. Building upon that foundation, new works commissioned from its composer members keep the ensemble firmly grounded in the music of both the past and present. Its roster allows for the programming of virtually all the core string, wind, and piano chamber music repertoire—from piano duos to clarinet quintets to string octets. While all its members have independent careers as soloists and chamber musicians, they strive for every opportunity to come together and again share in this special collaboration, creating “a mellifluous blend of vigorous intensity and dramatic import, performed with enthusiasm, technical facility and impressive balance, relishing distinctions…a winning performance.” (Classical Source)
Members of MCP are current and former members of the Chamber Music Society of Lincoln Center, Carnegie Hall’s Ensemble Connect, and the Amphion, Attacca, Dover, Escher, Vega, and Ying Quartets, and the Lysander and Aletheia Piano Trios. They are top prizewinners in the Banff, Concert Artists Guild, Fischoff, Melbourne, Naumburg, Osaka, Primrose, Queen Elisabeth, Rubinstein, Tchaikovsky, Tertis, and Young Concert Artists Competitions, and are some of the most sought after solo and chamber performers of their generation. The Manhattan Chamber Players has been featured multiple times on NPR’s Performance Today, and is the Ensemble-in-Residence at both the Northern Lights Music Festival in Mexico and the Crescent City Chamber Music Festival in New Orleans. In addition to its numerous concerts across the U.S., Canada, and Mexico, MCP regularly tours in Asia and the Middle East, and has led chamber music residency programs at institutions throughout the U.S. and abroad. manhattanchamberplayers.com
Members of Manhattan Chamber Players
LUKE FLEMING
Viola. Praised by The Philadelphia Inquirer for his “glowing refinement,” violist Luke Fleming’s performances have been described by The Strad as “confident and expressive…playing with uncanny precision,” and lauded by Gramophone for their “superlative technical and artistic execution.” Festival appearances include the Marlboro Music School and Festival, the Steans Institute at Ravinia, Perlman Music Program, the Norfolk and Great Lakes Chamber Music Festivals, the Melbourne Festival, Bravo!Vail, and Festival Mozaic. Formerly the violist of the internationally acclaimed Attacca Quartet, he has served as Artist-in-Residence for the Metropolitan Museum of Art and received the National Federation of Music Clubs Centennial Chamber Music Award. He was awarded First Prize at the Osaka International Chamber Music Competition and top prizes at the Melbourne International Chamber Music Competition. In 2015, Mr. Fleming became the Founding Artistic Director of both the Manhattan Chamber Players, a New York-based chamber music collective, and the Crescent City Chamber Music Festival. He has performed as a guest artist with the Pacifica, Solera, Serafin, and Canterbury Quartets, the Eroica and Gryphon Trios, the Chamber Music Society of Lincoln Center, Sejong Soloists, Ensemble Connect, the Orchestra of St. Luke’s, and the New York Classical Players, and has given masterclasses at UCLA, Louisiana State University, Ithaca College, Columbus State University, Syracuse University, Melbourne University, and the New Orleans Center for Creative Arts, among others. He has served on the faculties of the Innsbrook Institute, Renova Music Festival, Festival del Lago, and Houston ChamberFest, and Fei Tian College and is Lecturer-in-Residence for the concert series Project: Music Heals Us. Mr. Fleming holds the degrees of Doctor of Musical Arts, Artist Diploma, and Master of Music from the Juilliard School, a Postgraduate Diploma with Distinction from the Royal Academy of Music in London, and a Bachelor of Music summa cum laude from Louisiana State University. He is represented by Arts Global, Inc.
lukefleming.com
DAVID FUNG, Piano. Praised for his “ravishing and simply gorgeous” performances in the The Washington Post, pianist David Fung is widely recognized for interpretations that are elegant and refined, yet intensely poetic and uncommonly expressive. With a repertoire of over sixty concertos, Mr. Fung regularly performs as a soloist with the world’s premier ensembles including the Cleveland Orchestra, the Detroit Symphony, the Israel Philharmonic, the Los Angeles Philharmonic, and the San Francisco Symphony working with conductors such as Marin Alsop, Gustavo Dudamel, Stanislav Kochanovsky, Lan Shui, and Christian Zacharias. An incisive interpreter of Mozart and Bach, Mr. Fung has collaborated with the Israel, Los Angeles, Melbourne, Orpheus, and Saint Paul Chamber Orchestras, and the Orchestra of St. Luke’s.
Mr. Fung’s highly acclaimed debut with the Cleveland Orchestra at the Blossom Music Festival was “everything you could wish for” (Cleveland Classical), and he was further praised as an “agile and alert interpreter of Mozart’s crystalline note-spinning” (The Plain Dealer). In the following week, he performed Rachmaninoff’s Rhapsody on a Theme of Paganini at the Beijing National Stadium for their Olympic Summer Festival. In 2021, Mr. Fung made his Los Angeles Philharmonic debut partnering with Yuja Wang and Gustavo Dudamel following his performances with the Detroit Symphony celebrating the Orchestra Hall Centennial. In addition to the West Coast Premiere of Chen Qigang’s Piano Concerto, “Er Huang”, with the San Francisco Symphony, other recent solo engagements include performances with the Albany Symphony, Arkansas Symphony, Charleston Symphony, Kitchener-Waterloo Symphony, Israel Symphony, Las Vegas Philharmonic, Marin Symphony, the National Orchestra of Belgium, the National Taiwan Symphony, Niagara Symphony, New Haven Symphony, New Japan Philharmonic, Nordwestdeutsche Philharmonie, San Diego Symphony, Southwest Florida Symphony, Sun Valley Symphony, Symphony Tacoma, Tampere Philharmonic, and Xiamen Philharmonic, as well as the major orchestras in Australia, including the Melbourne, Queensland, and Sydney Symphony Orchestras.
As a recitalist and chamber musician, Mr. Fung is a frequent guest artist at prestigious festivals and venues worldwide. Notable festival appearances include Aspen, Blossom, Caramoor, Edinburgh, Hong Kong Arts, Ottawa, Ravinia, and Tippet Rise. At his Edinburgh International Festival debut, the Edinburgh Guide described Mr. Fung as being “impossibly virtuosic, prodigiously talented… and who probably does ten more impossible things daily before breakfast.” He has captivated audiences at Carnegie Hall, the Kennedy Center, Lincoln Center, Louvre, Gewandhaus, Palais des Beaux-Arts, and Zürich Tonhalle, as well as the major halls in Asia, including the Beijing Concert Hall, Guangzhou Opera House, Hong Kong Town Hall, Seoul Arts Center, Shanghai Oriental Art Center, Taiwan National Concert Hall, and Tianjin Grand Theater. Notable collaborations include performances with the Brentano, Dover, Jupiter, and Verona Quartets.
In August 2020, the Steinway and Sons Label released Mr. Fung’s Transcendent Beethoven, which was featured on Apple Music’s Best of Beethoven, a list of outstanding releases of the composer during the 250th anniversary of his birth. The album follows the label’s acclaimed 2019 release of Mr. Fung’s first installment of the complete Mozart sonatas. Fung’s Mozart album was called “undeniably bold” (AllMusic Guide) and praised by Boston’s WCRB as “heartbreaking”, adding that “Fung relishes the art of exploring Mozart’s characters – giving them freedom to breathe, and casting them in darkness and light to help reveal their humanity.” Mr. Fung can also be heard on more than a dozen accoladed releases by Pentatone, Orchid, Genuin, Yarlung, and Naxos.
Mr. Fung garnered international attention as a laureate of the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv. In Tel Aviv, he was further distinguished by the Chamber Music and Mozart Prizes, awarded in areas in which Mr. Fung has a passionate interest. He was the first piano graduate of the prestigious Colburn Conservatory in Los Angeles where he studied with John Perry, going on to work with Peter Frankl and Claude Frank at Yale University, and Arie Vardi at the Hochschule für Musik, Theater und Medien in Hannover. In 2002, he won the ABC Young Performer of the Year Award while studying with Margaret Hair in Sydney and has received further artistic guidance from piano luminaries including András Schiff, Alfred Brendel, and Leon Fleisher. Mr. Fung serves on the faculties of the Manhattan School of Music and the University of British Columbia and is a curator at the Chan Center for the Performing Arts in Vancouver. Mr. Fung is a Steinway Artist.
CONNIE KUPKA, Violin and Viola. Connie Kupka, a native Angelino, grew up in a music-loving family along with two other siblings, both of whom are also performers. After graduating from UCLA, she won a scholarship to study chamber music with the Guarneri Quartet at the Yale Summer Festival in Norfolk, Connecticut. The experience created a lifelong passion for chamber music (and orchestras), and inspired her and her future husband, cellist David Speltz, to form their own ensemble, the Arriaga Quartet. The group went on to win the grand prize in the prestigious Coleman Chamber Ensemble Competition and was able to tour with a broad range of offerings from the magnificent quartet repertoire. Summers always find Connie participating in many of the wonderful festivals throughout the country. She has performed at the Oregon Bach and Mostly Mozart festivals; the Santa Fe and Grand Canyon chamber music festivals; and the Ojai, Colorado and Sedona Jam music festivals. In Los Angeles, she regularly performs on the South Bay Chamber Music Society and Pacific Serenades series. She and David are the proud parents of three sons who grew up attending Los Angeles Chamber Orchestra concerts, two of them now pursue musical careers of their own. Connie loves performing with them at local chamber music venues.
BRENDAN SPELTZ, Violin. NYC-based violinist Brendan Speltz second violinist of the world renowned Escher String Quartet, has toured the globe with groundbreaking ensembles such as Shuffle Concert, the Manhattan Chamber Players, A Far Cry, and the Harlem Quartet. As founder of FeltInFour Productions, Mr. Speltz has produced innovative concert events across the New York City area that have been described by ,The New Yorker as “Thrilling, poignant, unexpected, and utterly DIY.” Most recently, Mr. Speltz co-created a cross-disciplinary presentation of Steve Reich’s Different Trains with aerial dance troupe ABCirque which was sponsored by Meyer Sound Labs. In NYC he has performed as guest with the New York New Music Ensemble, Mark Morris Dance Group, American Ballet Theatre, the American Symphony, the Orchestra of St. Luke’s, and as a founding member of the conductorless string orchestra Shattered Glass. He received his bachelor’s degree from the University of Southern California and his Master’s degree from the Manhattan School of Music. Mr. Speltz plays a 1925 Carl Becker violin.
BROOK SPLETZ, Cello. Praised for his “fluid virtuosity” and “soulful melodies,” Los Angeles native Brook Speltz has been inspired since childhood by the long tradition of deep musical mastery of artists such as Jascha Heifetz, Pierre Fournier, and the Guarneri String Quartet. As of 2015, he is the new cellist of the internationally renowned Escher String Quartet and a season artist of the Chamber Music Society. He has performed as a soloist, chamber musician, and recitalist throughout the US, Canada, Latin America, Europe, and Asia. First Prize winner of the prestigious Ima Hogg Competition, he has performed with the Houston Symphony, Colorado Music Festival Orchestra, and International Contemporary Ensemble, and is a regular performer at England’s IMS Prussia Cove and on tour with Musicians from Marlboro. Chamber music tours with Itzhak Perlman and Richard Goode caused him to be nominated for the inaugural Warner Music Prize, a newly established prize presented by Warner Music and Carnegie Hall. He has also toured with the cello rock band Break of Reality, whose cover of music from Game of Thrones has received over 19 million views online. The band’s recent US tour raised funds and awareness for music programs in public schools all around the country. After studying with Eleanor Schoenfeld, Mr. Speltz attended the Curtis Institute of Music with Peter Wiley and The Juilliard School with Joel Krosnick. He performs on an 1857 J.B. Vuillaume on loan from his father, a cellist and his first inspiration in a family of professional musicians.
DAVID SPELTZ, Cello. David Speltz began his formal studies with Eleanore Schoenfeld after being introduced to the cello by his father. Later, he was invited to join the Piatigorsky masterclass at USC. He earned a master’s degree in mathematics from UCLA, but soon realized that the cello was the path to follow. In 1973 he co-founded the Arriaga Quartet, which went on to win first prize in the Coleman Competition. As a member of the ensemble Musical Offering, he performed at the Library of Congress, Lincoln Center, the Casals Festival in Puerto Rico, and recorded for the Nonesuch label. He has been active for years on many Los Angeles chamber music series in Los Angeles, and participated in summer festivals throughout the United States. David was a member of the Los Angeles Chamber Orchestra under Sir Neville Marriner, and served as the principal cellist of the California Chamber Orchestra under Henri Temianka. In 1989 he served as principal cellist for the German conductor Helmuth Rilling at the Bach Collegium Stuttgart. He has been active in the motion picture industry in Los Angeles, playing in the studio orchestras for over 500 movies, from the Godfather series to Star Wars! David has three sons, two of whom are professional string players in New York City. He is married to violinist Connie Kupka.
ED MELL
Visual artist. Born in Phoenix, Mr. Mell graduated from the Art Center College of Design in Los Angeles, with a Bachelor of Fine Arts degree in illustration. He began his career in New York as an art director for a prominent advertising agency. He also ran his own illustration studio in New York in the early seventies. After spending two summers working with children’s arts programs on the Hopi Indian Reservation, he developed his interest in Southwest landscape. Mr. Mell returned to Phoenix in 1973. He devoted his full time to working in oils, his main emphasis on Western landscapes and subject matter. In addition, he painted southwestern florals and sculpted western figures in bronze. His pieces are found in many corporate and private collections nationally and internationally.