Our 2017 Artists’ Biographies
MICHAEL BEGAY. composer, guitarist, radio producer, writer. A graduate of Grey Hills Academy in Tuba City on the Navajo Nation, Mr. Begay was one of the first graduates of the Grand Canyon Music Festival’s Native American Composer Apprentice Project (NACAP), Mr. Begay studied recording arts at the Conservatory of Recording Arts and Sciences in Tempe and has worked at Native American radio station KGHR, a National Public Radio affiliate, as a producer and music writer for six years, and has worked in the studio with Grammy award winner Verdell Primeaux, all the while continuing to compose. He joined NACAP as a volunteer assistant composer-in-residence in 2006, working closely with Raven Chacon. He continues studying composition with Mr. Chacon, and officially joined NACAP as assistant composer-in-residence in 2007.
STEPHEN BENSON, guitar. Stephen Benson is a freelance performer who has remained active on the studio, jazz and Broadway scene for over twenty years. Comfortable in a variety of musical settings from jazz and classical music to rock, rhythm and blues, Broadway, bluegrass and klezmer music, he has performed and or recorded with people as diverse as Phoebe Snow, John Sebastian, Dee Dee Bridgewater, Natalie Cole, Jessica Simpson, Evelyn Blakey, Nick Lachey, and The Metropolitan Opera Orchestra, The Philadelphia Orchestra, the Orchestra of St. Luke’s and The American Symphony Orchestra. He toured Europe as a member of the Giora Feidman Trio, performing at the Carnevale in Venice, Italy, for two years. He currently performs on Broadway in the orchestra pits of The Lion King, Chicago, Mary Poppins and Hair. He holds a Bachelor of Music degree from the Hartt School of Music in Hartford, Connecticut, and a Masters of Music from Manhattan School of Music. He has taught at the Hartt School of Music and the Turtle Bay Music School. He is currently on the jazz faculty at Montclair State University in New Jersey and lives in New York City with his wife and 17 year old twins.
ROBERT BONFIGLIO, harmonica, is founding director of the Grand Canyon Music Festival. Called “the Paganini of the Harmonica” by the Los Angeles Times, Robert Bonfiglio dazzles audiences worldwide with his constant reinvention of the harmonica, from classical concertos to sizzling blues. Mr. Bonfiglio regularly performs with the world’s top orchestras, including the Orchestre de la Suisse Romande, Leipzig MDR-Radio Symphony at the Leipzig Gewandhaus, Buenos Aires Philharmonic at Teatro Colón, Bochumer Philharmoniker in Germany, the Mexico City, Luxembourg, and Hong Kong Philharmonics, and orchestras throughout the U.S. including the Boston Pops with John Williams on PBS, the Hollywood Bowl Orchestra, and the National Symphony at the Kennedy Center in Washington, D.C. and Pittsburgh Symphony under the baton of Marvin Hamlisch. His RCA recording of the Villa-Lobos Harmonica Concerto was released to critical acclaim and his “Through the Raindrops” CD remained on the pop billboard charts for 9 months. Robert has appeared on CBS Sunday Morning, CBS Morning Show, Live with Regis and Kathy Lee, Larry King, and Garrison Keillor’s American Radio Show. He holds a masters degree in composition from Manhattan School of Music, studying with Charles Wuorinen and, as the first recipient of the Mihaud Scholarship at the Aspen Music School, Aaron Copland. He has also performed at the legendary Teatro Amazonas in Brazil, and the Henry Cowell Harmonica Concerto with the American Symphony Orchestra under the direction of Leon Botstein. He is currently working on a project to bring the music of Brazilian composer Radamés Gnattali to the stage.
RAVEN CHACON, Raven Chacon is a composer of chamber music, a performer of experimental noise music, and an installation artist. He performs regularly as a solo artist as well as with numerous ensembles in the Southwest USA, and is also a member of the American Indian arts collective Postcommodity. Recent commissions include works written for Kronos Quartet and The Living Earth Show. Chacon has presented his work in different contexts at Vancouver Art Gallery, ABC No Rio, REDCAT, La Biennale di Venezia – Biennale Musica, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center among other traditional and non-traditional venues. His work with Postcommodity was recently featured in the Whitney Biennial and documenta 14. He lives and works in Albuquerque, New Mexico.
ELLEN CHAMBERLAIN, violin. Ellen Chamberlain has enjoyed a diverse musical career for nearly two decades. In 2005, Ms. Chamberlain was selected to perform for Israel Prime Minister Ariel Sharon and other Knesset members during a scholarship summit for Arts Education in Israel. While in Israel, she taught violin and orchestra at the Ron Shulamit Conservatory in Jerusalem, where she also served as Associate Concertmaster of the faculty chamber orchestra. Her Jewish folk ensemble, Alei Assor, appeared at the Klezmer Festival of Tzfat in 2005, and released a CD entitled I recall my song in the night. Ms. Chamberlain has performed in a variety of chamber music ensembles, giving annual recitals throughout the United States. She performs regularly on the St. Andrew’s Bach Society Summer Concert Series and with Artifact Dance Project, in addition to a full season of performances as a founding member of the Kingfisher String Quartet. Ms. Chamberlain served as Interim Music Director of the Tucson Chamber Orchestra in 2008-2009, where she also played Concertmaster. Through this position, she was selected as an Artist-in-Residence with the Arizona Commission on the Arts and was awarded the Artist Career Advancement grant in 2008. She plays with the Tucson Symphony Orchestra, and has in the past held the Assistant and Associate Concertmaster positions with TSO. She currently serves as Co-Concertmaster of the Grammy-nominated True Concord Voices & Orchestra, and spends her summers in the Des Moines Metro Opera Orchestra. She is a summa cum laude graduate of Indiana University, where she studied with Nelli Shkolnikova. Ms. Chamberlain plays on a George Gemunder violin from 1885.
JOE DENINZON, violin. Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” electric seven string electric violin. Joe has worked with Sheryl Crow, Bruce Springsteen, Phoebe Snow, Everclear, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss from KISS,
Renaissance, and as a soloist with Jazz at Lincoln Center and the New York City Ballet.
Joe is the lead singer and violinist for the progressive rock band, Stratospheerius (www.stratospheerius.com), which has just released their fifth CD on Melodic Revolution Records. He can be heard on over a hundred CDs and jingles as a violinist and string arranger. A BMI Jazz Composer’s Grant recipient and winner of the John Lennon
Songwriting Contest, he has written a solo piece for renowned violinist Rachel Barton Pine, and in 2015, premiered his “Concerto for Electric Violin and Orchestra” with the Muncie Symphony Orchestra. Joe’s original music has been featured on CMT, MTV, VH1, Comedy Central, National Geographic, the Travel Channel, the History Channel, and the Will Ferrell/ Adam McKay- produced film “Virginity Hit.” He also co-wrote the score for the independent film, “What’s Up Scarlet” (Open City Films). Joe is also a member of the Sweet Plantain String Quartet (www.sweetplantain.com), which combines Latin Jazz with hip-hop and Classical music, and has toured throughout Europe and the U.S.
Joe has released a CD with his Acoustic Jazz Trio, titled “Exuberance.”
As an educator, Joe has taught at Mark O’Connor’s String Camp and Mark Wood’s Rock Orchestra Camp, and makes annual appearances performing at the Grand Canyon Music Festival with renowned harmonica virtuoso Robert Bonfiglio. In 2006, Joe co-founded the
Grand Canyon School of Rock, an annual music program for local high school students. He regularly travels as a clinician and has contributed articles to Strings, Downbeat, American String Teachers Journal, and Making Music Magazine. In 2012, Joe wrote a book on electric violin techniques for Mel Bay Publications, titled “Plugging In.” Joe has made the Downbeat Critic’s poll for “rising stars” in jazz/rock violin. Chris Haigh’s book, “Discovering Rock Violin,” lists one of Joe’s recorded solos among the “Top 20 greatest rock violin solos of all time.”
Joe holds Bachelor’s degrees in Violin Performance and Jazz Violin
from Indiana University and a Master’s in Jazz/Commercial violin
from Manhattan School of Music. “As at home in the world of Grappeli and Oconner as he is in the world of Steve Vai and Jimi Hendrix, Joe Deninzon may very well be our next national violin treasure!!”-Jedd Beaudoin
CLARE HOFFMAN, flute. Co-founder and artistic director of the Grand Canyon Music Festival, Clare Hoffman has toured the United States, Europe and Asia, performing in a variety of settings from major concert halls to an ancient ampitheatre on the Greek island of Rhodes. Recent engagements include the Berkshire Bach Society (Tanglewood), Bang on a Can Festival (Lincoln Center), Cutting Edge (New York City, Victoria Bond, director), Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra (Lincoln Center’s Great Performers series), Scandia Symphony, and Bronx Arts Ensemble. She has premiered works by John Corigliano, Seymour Barab, Brent Michael Davids, Arnold Black and Richard Einhorn and recorded for television, film, and RCA and High Harmony Records. Ms. Hoffman’s 2001-2002 season included working with Music Givers, an organization founded by musicians after September 11, 2001, to offer their talents to the relief efforts in the New York City area. Under her guidance, the Grand Canyon Music Festival has been presenting critically acclaimed musicians and outreach education programs to schools in northern Arizona’s rural areas, primarily schools and communities on the Hopi and Navajo Nations, for 28 years, and received funding and recognition from diverse organizations, including the National Endowment for the Arts, Chamber Music America, WESTAF, and The Nina Mason Pulliam, Flinn, Compton, ASCAP, and APS Foundations. She is a dedicated advocate for the arts and has worked throughout the United States with students from diverse backgrounds, from inner-city schools in places like Los Angeles and New York City to farming communities in Iowa and Native American communities in Arizona. Her education projects for the Grand Canyon Music Festival include an arts curriculum for fifth graders that integrates music and visual arts with core subjects, developed with Arts Vision and Bank Street College of Education, and the Native American Composer Apprentice Project (NACAP) with composers-in-residence Raven Chacon and Trevor Reed, which was recognized by First Lady Michelle Obama and the President’s Committee on the Arts and Humanities with a National Arts and Humanities Youth Program Award. She taught at the Turtle Bay Music School in New York City where she developed curriculum for the Flute Certificate Program, and is currently on the faculty of Concordia College Conservatory in Westchester, New York. She studied at the Mannes College of Music with Andrew Lolya, at L’École d’Été in France with legendary French flutists Jean-Pierre Rampal and Alain Marion, and with Samuel Baron and Julius Baker.
JON KLIBONOFF, piano. Jon Klibonoff has appeared as orchestra soloist, solo recitalist, and chamber musician throughout the U.S. and abroad. His numerous awards include the Silver Medal of the Gina Bachauer International Piano Competition, the Affiliate Artists Xerox Pianists Award, the Pro Musicis Foundation Award, first prize at the Kosciuszko Chopin Competition, the Concert Artists Guild Competition, and a Solo Recitalist’s Fellowship from the National Endowment for the Arts. Mr. Klibonoff has performed as guest artist with numerous chamber groups, including the Chamber Music Society of Lincoln Center and the Shanghai, Miami, and Lark String Quartets. For three seasons he was artist-in-residence for the “On Air” radio series produced by WQXR in New York City. Mr. Klibonoff has been heard in recital at the Metropolitan Museum of Art, Carnegie Hall’s Weill Recital Hall, the 92nd Street Y, and the National Gallery and the Smithsonian Institution in Washington, D.C. He has collaborated with many instrumentalists, including flutist Carol Wincenc, clarinetist David Shifrin, and cellist Yo-Yo Ma. A graduate of the Juilliard School and Manhattan School of Music, Mr. Klibonoff is on the faculty of Manhattan School of Music.
JOHANNA LUNDY, French horn. Johanna Lundy is the principal horn of the Tucson Symphony, a position she has held since 2006. She has received critical acclaim for her “robust sound” and her “breathtaking” and “extraordinary” performances. The Green Valley News hailed her Tucson Symphony solo debut as “the highest level of professional musicianship. Every attack was pure, controlled and perfect. [Lundy] left the audience in a state of near-euphoria.” Ms. Lundy has performed extensively throughout the Arizona, including regular appearances with the Phoenix Symphony and True Concord. In 2010, she was named one of Tucson’s 40 under 40 by the Arizona Daily Star. As a soloist, Ms. Lundy has performed with the Tucson Symphony, the Arizona Symphonic Winds, True Concord, the Sierra Vista Symphony and the St. Andrew’s Bach Society. Ms. Lundy recently received an Artist Research and Development Grant from the Arizona Commission on the Arts to pursue a solo recording. Before moving to Arizona, she was an active freelancer in the Boston area, where she performed with the Albany and New Hampshire Symphonies and the Boston Philharmonic, served as the principal horn of the Des Moines Metro Opera Orchestra for seven seasons, and participated in the Lucerne Festival Academy in Switzerland and the Aspen Music Festival for five seasons. She holds a Bachelor of Music from the Oberlin Conservatory and a Master of Music from the New England Conservatory. Passionate about sharing classical music with the world, she is especially interested in contemporary music, celebrating living composers and bringing new works to audiences in enjoyable, interactive settings. She believes in the power of live music: connecting with audiences allows the opportunity to share a deep and expressive experience!
TREVOR REED, NACAP composer-in-residence. A native of Seattle, Washington, Trevor Reed began his involvement with music as a double bassist. He received first prize in the Washington State Solo Competition for three consecutive years, and later as a finalist in the All American Music Festival solo competition. He received his Bachelor of Music degree in composition from Brigham Young University. He recently completed his Masters Degree in Arts Administration Columbia University’s Teacher’s College and has been accepted into Columbia University’s Doctoral Program.. Among Reed’s achievements in composition are first prize in the Vera Hinckley MayHew Composition Competition and a grant from the Laycock Center for Creative Collaboration to produce a new work for orchestra. A tribute to his Hopi culture, the orchestral piece marked an important milestone in Reed’s goal of incorporating indigenous elements into concert music. Reed is currently Research Coordinator at the Research Center for Arts and Culture, where his team is conducting the first national study of living American composers.
CATALYST QUARTET Hailed by The New York Times at their Carnegie Hall debut as “invariably energetic and finely burnished…playing with earthy vigor,” the Catalyst Quartet, prize winners of the Gianni Bergamo Classical Music Award 2012 (Switzerland), is comprised of top Laureates and alumni of the internationally acclaimed Sphinx Competition.
“Electrifying… Wildly colorful and exploding with life” The Washington Post. The quartet has held residencies and given master classes both domestically and abroad at the University of Michigan, Rice University, Cincinnatti Conservatory of Music, In Harmony Project; London, UK and the University of South Africa to name a few. They also serve as principal faculty at the Sphinx Performance Academy at Oberlin College and Northwestern University. The Catalyst Quartet members are visiting teaching artists at the Sphinx Preparatory Music Institute, hosted by the Detroit Symphony Orchestra. The Catalyst Quartet has also participated in the Juilliard String Quartet Seminar, Grand Canyon Music Festival, Great Lakes Chamber Music Festival and been featured in The Strad and Strings magazines including multiple radio and television broadcasts on American Public Media’s Performance Today as well as Chicago (WFMT) Houston (KUHF) Public Radio and Detroit Public Radio and Television. The Quartet maintains a busy performing schedule and completed a national tour in the fall leading the Sphinx Virtuosi. Highlights of the tour included concerts at the Kennedy Center in Washington D.C., opening the 10th anniversary season of the Harris Theater in Chicago, sold out performances at Miami’s Frank Gehry designed New World Center, and New York’s Carnegie Hall (Stern Auditorium) with members of the legendary Guarneri Quartet. They can also be heard this season on the Cafe Series at the Metropolitan Museum of Art in New York City. The Catalyst Quartet proudly endorses Pirastro strings. www.pirastro.com
ED MELL, visual artist. Born in Phoenix, Mr. Mell graduated from the Art Center College of Design in Los Angeles, with a Bachelor of Fine Arts degree in illustration. He began his career in New York as an art director for a prominent advertising agency. He also ran his own illustration studio in New York in the early seventies. After spending two summers working with children’s arts programs on the Hopi Indian Reservation, he developed his interest in Southwest landscape. Mr. Mell returned to Phoenix in 1973. He devotes his full time to working in oils, his main emphasis on Western landscapes and subject matter. In addition, he paints southwestern florals and sculpts western figures in bronze. His pieces are found in many corporate and private collections nationally and internationally.